Article:
The Art of Poetry Machines

dc.creatorGendolla, Peter
dc.date.accessioned2022-01-06T14:36:26Z
dc.date.available2022-01-06T14:36:26Z
dc.date.issued2008
dc.description.abstractThe history of machine-aided poetry from Swift to Roussel, Bense, the Oulipo-group and David Link's Poetry Machine 1.0* represents the idea of aesthetic creativity as an interplay between ‘poetic’ algorithms and ‘human’ control of the poetry-generator, with more or less interesting results. By examining Christopher Strachey's Love Letter Generator and confronting it with traditional poetry, the talk attempts to ascertain whether in this way it is possible to isolate or retrieve the literary process.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/17714
dc.identifier.urihttps://mediarep.org/handle/doc/18678
dc.languageeng
dc.publisherRoberto Simanowski
dc.publisher.placeProvidence
dc.relation.isPartOfissn:1617-6901
dc.relation.ispartofseriesDichtung Digital. Journal für Kunst und Kultur digitaler Medien
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectDigital Poetryen
dc.subject.ddcddc:791
dc.subject.workLOVE LETTER GENERATOR
dc.titleThe Art of Poetry Machinesen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-01-06T15:41:27
local.source.epage4
local.source.issue1
local.source.issueTitleNr. 38
local.source.spage1
local.source.volume10

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