Article: Cinema, meteorology, and the erotics of weather
Abstract
This article explores the notion of a meteorology of cinema. Through the close reading of a string of books – with subjects such as clouds, rain, and snow – the article conceptualises an approach to weather on film, and grounds this approach in the anti-hermeneutics of Susan Sontag, André Bazin’s geography of cinema, and the movement philosophy of Gaston Bachelard.
Preferred Citation
BibTex
Meilvang, Emil Leth: Cinema, meteorology, and the erotics of weather. In: NECSUS. European Journal of Media Studies, Jg. 7 (2018), Nr. 1, S. 67-85. DOI: 10.25969/mediarep/3440.
@ARTICLE{Meilvang2018,
author = {Meilvang, Emil Leth},
title = {Cinema, meteorology, and the erotics of weather},
year = 2018,
doi = {10.25969/mediarep/3440},
volume = 7,
address = {Amsterdam},
journal = {NECSUS. European Journal of Media Studies},
number = 1,
pages = {67--85},
}
author = {Meilvang, Emil Leth},
title = {Cinema, meteorology, and the erotics of weather},
year = 2018,
doi = {10.25969/mediarep/3440},
volume = 7,
address = {Amsterdam},
journal = {NECSUS. European Journal of Media Studies},
number = 1,
pages = {67--85},
}
As long as there is no further specification, the item is under the following license: Creative Commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen