Article:
Infinite Disco vs. Studio 2054. Toward a Film Psychology of Virtual Concerts in the COVID-19 Pandemic

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dc.creatorPibert, Johann
dc.date.accessioned2022-04-25T09:08:41Z
dc.date.available2022-04-25T09:08:41Z
dc.date.issued2022
dc.description.abstractThe reinvention of virtual concerts throughout the COVID-19 pandemic experienced a tremendous surge of innovation during 2020, culminating in Kylie Minogue’s Infinite Disco and Dua Lipa’s Studio 2054. This article offers a comparison of the two concert livestreams, which is already formally apparent because of their common theme, timely proximity, and the cooperation on the track “Real Groove.” However, a film-psychological analysis with particular attention to the concert beginnings reveals aesthetic differences that are essential in terms of the concert experience. Specifically, for the reception situation of a lockdown, it is shown that high levels of intimacy, coherence, and self-reflexivity concerning the pandemic lead to a higher degree of synchronization between the concert and its spectator(s) and accordingly to a stronger intertwining of concert and reception aesthetics. Thus, who has the ‘real groove’?en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18239
dc.identifier.urihttp://www.ffk-journal.de/?journal=ffk-journal&page=article&op=view&path%5B%5D=165
dc.identifier.urihttps://mediarep.org/handle/doc/19226
dc.languageeng
dc.publisherAVINUS
dc.publisher.placeHamburg
dc.relation.isPartOfissn:2512-8086
dc.relation.ispartofseriesffk Journal
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectCOVID-19en
dc.subjectconcert livestreamen
dc.subjectaestheticen
dc.subject.ddcddc:791
dc.titleInfinite Disco vs. Studio 2054. Toward a Film Psychology of Virtual Concerts in the COVID-19 Pandemicen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-04-25T11:35:03
local.source.epage107
local.source.issue7
local.source.spage92
local.source.volume6

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