Article:
On Analytic Method in the Digital Reading

dc.creatorRicardo, Francisco J.
dc.creatorSimanowski, Roberto
dc.date.accessioned2022-01-07T09:19:34Z
dc.date.available2022-01-07T09:19:34Z
dc.date.issued2009
dc.description.abstractPresented with the modality of the new work of art, which, being interactive, sculptural, filmic, or ludic, is in nature and structure so different from prior aesthetic production, literary critic and historian of art alike are now confronted with questions as to preferable modes of reading new media art that can do justice to its unique ontologies. In this conversation (from the book Literary Art in Digital Performance: Case Studies and Critical Positions) with Francisco J. Ricardo, Roberto Simanowski lays out a phenomenology that goes beyond the formalism of the work and opens to a critical reading while, in harmony with the thinking of Lyotard, viewing the encounter of the work as possessing greater importance than specific commitments to interpretation, that is, of experiencing “not what happens but that something happens”.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/17720
dc.identifier.urihttps://mediarep.org/handle/doc/18685
dc.languageeng
dc.publisherRoberto Simanowski
dc.publisher.placeProvidence
dc.relation.isPartOfissn:1617-6901
dc.relation.ispartofseriesDichtung Digital. Journal für Kunst und Kultur digitaler Medien
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectDigital Mediaen
dc.subjectdigital literatureen
dc.subjectmedia analysisen
dc.subjectmethodologyen
dc.subject.ddcddc:791
dc.titleOn Analytic Method in the Digital Readingen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-01-07T10:28:10
local.source.epage5
local.source.issue1
local.source.issueTitleNr. 39
local.source.spage1
local.source.volume11
relation.isAuthorOfArticle8751bc75-f9ca-4645-b2cd-6fa81323ad4f
relation.isAuthorOfArticle.latestForDiscovery8751bc75-f9ca-4645-b2cd-6fa81323ad4f

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