Article: Ports as nodes in film logistics: Swedish film agent Oscar Rosenberg in the years after the First World War
Abstract
Ports make visible neglected details in the history of film distribution. The international shipment of film connected for more than half a century the main nodes in the network of film distribution. This article maps questions on port-related logistical challenges, based on the personal and corporate collections of Swedish film distributor Oscar Rosenberg (1874-1943) and his film agency from around 1916 to 1930, also the changing conditions for four Swedish ports in the years around 1920.
Preferred Citation
BibTex
Björkin, Mats: Ports as nodes in film logistics: Swedish film agent Oscar Rosenberg in the years after the First World War. In: NECSUS_European Journal of Media Studies, Jg. 12 (2023), Nr. 1, S. 58-80. DOI: http://dx.doi.org/10.25969/mediarep/19753.
@ARTICLE{Björkin2023,
author = {Björkin, Mats},
title = {Ports as nodes in film logistics: Swedish film agent Oscar Rosenberg in the years after the First World War},
year = 2023,
doi = "\url{http://dx.doi.org/10.25969/mediarep/19753}",
volume = 12,
address = {Marburg},
journal = {NECSUS_European Journal of Media Studies},
number = 1,
pages = {58--80},
}
author = {Björkin, Mats},
title = {Ports as nodes in film logistics: Swedish film agent Oscar Rosenberg in the years after the First World War},
year = 2023,
doi = "\url{http://dx.doi.org/10.25969/mediarep/19753}",
volume = 12,
address = {Marburg},
journal = {NECSUS_European Journal of Media Studies},
number = 1,
pages = {58--80},
}
As long as there is no further specification, the item is under the following license: Creative Commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen