Article:
Digitale Fotografien: Für einen öffentlichen Gedächtnisraum

dc.creatorMerzeau, Louise
dc.date.accessioned2022-06-15T07:46:18Z
dc.date.available2022-06-15T07:46:18Z
dc.date.issued2010
dc.description.abstractThe modalities of the production, archiving, distribution (marketing) and societal assimilation of digital photography are producing a new economy of form and perspective. When digital photos become physical surfaces and blogs are organized into active archives, the collective public memory is transformed in the tension between two divergent poles: Privatization and standardization of photomemory in the photo data banks of large agencies on one hand, and, on the other hand rhizomatic interlacing, proliferative network memory, which, during this process, evolves into a virtual, imaginary museum. Digital photos, at this point, participate in the production of the political entity.en
dc.identifier.doi10.28937/1000106300
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18439
dc.identifier.urihttps://meiner.de/artikel/1000106300
dc.identifier.urihttps://mediarep.org/handle/doc/19564
dc.languagedeu
dc.publisherFelix Meiner
dc.publisher.placeHamburg
dc.relation.isPartOfissn:1869-1366
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rightsCreative Commons Attribution Non Commercial Share Alike 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0
dc.subjectdigitale Fotografiede
dc.subjectkollektives Gedächtnisde
dc.subject.ddcddc:770
dc.subject.ddcddc:702.8
dc.titleDigitale Fotografien: Für einen öffentlichen Gedächtnisraumde
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-06-15T10:05:51
local.source.epage75
local.source.issue1
local.source.issueTitleKulturtechnik
local.source.spage63
local.source.volume1

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