Article:
Keeping Up the Live: Recorded Television as Live Experience

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dc.creatorvan Es, Karin
dc.creatorKeilbach, Judith
dc.date.accessioned2020-08-24T13:46:12Z
dc.date.available2020-08-24T13:46:12Z
dc.date.issued2018-05-16
dc.description.abstractIncreasingly new media platforms are making claims to liveness. Looking back in television history we also find programmes that were recorded, but kept up the claims of being live. This raises the question as to what accounts for the attraction of the live? Focusing on Ein Platz für Tiere and the Netflix Live spoof of 2017 this article discusses disparate articulations of the live and addresses the need to balance freedom, chaos and control on the part of media producers. For their greatest challenges is that boredom and chaos haunts their output simultaneously. It clarifies also how liveness is not a given property of any technology, but in fact hard work.en
dc.identifier.doi10.18146/2213-0969.2018.jethc142
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14743
dc.identifier.urihttps://mediarep.org/handle/doc/15721
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectlivenessen
dc.subjectcontrolen
dc.subjectTelevisionen
dc.subjectNetflix Liveen
dc.subjectanimalsen
dc.subjectonline media platformsen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleKeeping Up the Live: Recorded Television as Live Experienceen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:12:23
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2018.jethc142
local.source.epage68
local.source.issue13
local.source.spage60
local.source.volume7
relation.isAuthorOfArticlede59079f-c106-492f-91cf-8555a91d4a24
relation.isAuthorOfArticle.latestForDiscoveryde59079f-c106-492f-91cf-8555a91d4a24

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2018 | 13 | The Many Lives of Europe’s Audiovisual Heritage