Article:
Voicing the Technological Body: Some Musicological Reflections on Combinations of Voice and Technology in Popular Music

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dc.creatorHeesch, Florian
dc.date.accessioned2023-05-15T11:15:28Z
dc.date.available2023-05-15T11:15:28Z
dc.date.issued2016
dc.description.abstractThe article deals with interrelations of voice, body and technology in popular music from a musicological perspective. It is an attempt to outline a systematic approach to the history of music technology with regard to aesthetic aspects, taking the iden-tity of the singing subject as a main point of departure for a hermeneutic reading of popular song. Although the argumentation is based largely on musicological research, it is also inspired by the notion of presentness as developed by theologian and media scholar Walter Ong. The variety of the relationships between voice, body, and technology with regard to musical representations of identity, in particular gender and race, is systematized alongside the following cagories: (1) the “absence of the body,” that starts with the establishment of phonography; (2) “amplified presence,” as a signifier for uses of the microphone to enhance low sounds in certain manners; and (3) “hybridity,” including vocal identities that blend human body sounds and technological processing, where-by special focus is laid on uses of the vocoder and similar technologies.en
dc.identifier.doi10.25364/05.2:2016.1.5
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19431
dc.identifier.urihttps://www.jrfm.eu/index.php/ojs_jrfm/article/view/52
dc.identifier.urihttps://mediarep.org/handle/doc/20616
dc.languageeng
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2617-3697
dc.relation.ispartofseriesJournal for Religion, Film and Media
dc.rightsCreative Commons Attribution Non Commercial 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0
dc.subjectMusicological Reflectionsen
dc.subjectCombinationsen
dc.subjectVoiceen
dc.subjectTechnologyen
dc.subjectPopular Musicen
dc.subject.ddcddc:300
dc.titleVoicing the Technological Body: Some Musicological Reflections on Combinations of Voice and Technology in Popular Musicen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2023-05-15T13:24:39
local.identifier.firstpublishedhttps://www.jrfm.eu/index.php/ojs_jrfm/article/view/52
local.source.epage69
local.source.issue1
local.source.issueTitle"I Sing the body electric". Body, Voice, Technology and Religion
local.source.spage49
local.source.volume2

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