Article:
Chronology and Ideology: Temporal Structuring in Israeli Historical Documentary Series

dc.creatorGarami, Bosmat
dc.date.accessioned2020-08-13T10:06:34Z
dc.date.available2020-08-13T10:06:34Z
dc.date.issued2013-06-30
dc.description.abstractThis paper examines two major Israeli historical documentary television series, Pillar of Fire, produced in the 1970’s, and Revival, produced in the 1990’s. The series deal with the Zionist enterprise and its realization. The research applies Gerard Genette’s central narratological typology to the series’ temporal structures, through the categories of Order, Duration and Frequency. The findings show that while Pillar of Fire’s classic, linear, historicist structure serves its celebration of the Zionist narrative, Revival employs a unique, complex, multi-dimensional structure, which enables its historical multi-vocality, and supports its critical presentation of the cyclical Arab-Israeli Conflict and its revisionism of traditional Israeli history.en
dc.identifier.doi10.18146/2213-0969.2013.jethc036
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14074
dc.identifier.urihttps://mediarep.org/handle/doc/15035
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectTelevision Historyen
dc.subjectDocumentaryen
dc.subjectRevivalen
dc.subjectseriesen
dc.subjectPillar of Fireen
dc.subjectIsraelen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleChronology and Ideology: Temporal Structuring in Israeli Historical Documentary Seriesen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:04:21
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2013.jethc036
local.source.epage106
local.source.issue3
local.source.spage99
local.source.volume2

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