Article:
Through the Looking Glass – Dioramas, Bodies, and Performances in New York

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dc.creatorEtienne, Noémie
dc.date.accessioned2022-06-21T12:55:14Z
dc.date.available2022-06-21T12:55:14Z
dc.date.issued2020
dc.description.abstractDioramas are multimedia installations used in museums and popular culture since the 19th century. I study two sets of anthropological dioramas: the ones made for the Museum of Natural History in New York by Franz Boas; and the ones fabricated at the New York State Museum in Albany by Arthur C. Parker. As I will show, dioramas are not only visual displays but also installations with a proper materiality and temporality: they are the stage of multiple performances and work as contact zones between objects, models, makers, and beholders.en
dc.identifier.doi10.28937/1000108412
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18749
dc.identifier.urihttps://meiner.de/artikel/1000108412
dc.identifier.urihttps://mediarep.org/handle/doc/19895
dc.languageeng
dc.publisherFelix Meiner
dc.publisher.placeHamburg
dc.relation.isPartOfissn:1869-1366
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectMultimedia-Installationende
dc.subjectPopulärkulturde
dc.subjectDioramende
dc.subjectmultimedia installationsen
dc.subjectpopular cultureen
dc.subjectdioramasen
dc.subject.ddcddc:700
dc.titleThrough the Looking Glass – Dioramas, Bodies, and Performances in New Yorken
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-06-21T15:11:03
local.source.epage40
local.source.issue1
local.source.issueTitleSchalten und Walten
local.source.spage23
local.source.volume11

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