Article: Digital Digging: Traces, Gazes, and the Archival In-Between
Abstract
Traces and gazes have become leading paradigms in dealing with the (visual) history of the Holocaust within academia. This multi-modal project, composed of the following paper and the video essay “The Archival In-Between”, reflects on the connection between traces and gazes, proposing to think of them as a gaze-trace ‘entity’, which resides in an in-between state. Connecting, juxtaposing, manipulating, and fragmenting various textual and filmic traces from the audiovisual heritage of the Holocaust, the project explores this gaze-trace entity in a self-reflexive manner. It performs a theoretical, empirical, ethical, and poetic investigation into the “in-betweenness” potential of the archive footage by digital means. In so doing, the project aims at exploring and demonstrating the inherent potential of videographic methods to study audiovisual memory.
Preferred Citation
BibTex
Kreutzer, Evelyn; Stiassny, Noga: Digital Digging: Traces, Gazes, and the Archival In-Between. In: Research in Film and History, Jg. (2022), Nr. 4, S. 1-13. DOI: http://dx.doi.org/10.25969/mediarep/18100.
@ARTICLE{Kreutzer2022,
author = {Kreutzer, Evelyn and Stiassny, Noga},
title = {Digital Digging: Traces, Gazes, and the Archival In-Between},
year = 2022,
doi = "\url{http://dx.doi.org/10.25969/mediarep/18100}",
address = {Bremen},
journal = {Research in Film and History},
number = 4,
pages = {1--13},
}
author = {Kreutzer, Evelyn and Stiassny, Noga},
title = {Digital Digging: Traces, Gazes, and the Archival In-Between},
year = 2022,
doi = "\url{http://dx.doi.org/10.25969/mediarep/18100}",
address = {Bremen},
journal = {Research in Film and History},
number = 4,
pages = {1--13},
}
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