Article: Re-Membering the Past: Historical Film and the Embodied Viewer
dc.creator | Allred, Mason Kamana | |
dc.date.accessioned | 2020-08-25T11:45:58Z | |
dc.date.available | 2020-08-25T11:45:58Z | |
dc.date.issued | 2018 | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/14786 | |
dc.identifier.uri | https://film-history.org/issues/text/re-membering-past | |
dc.identifier.uri | https://mediarep.org/handle/doc/15770 | |
dc.language | eng | |
dc.publisher | Universität Bremen | |
dc.publisher.place | Bremen | |
dc.relation.isPartOf | issn:2627-5848 | |
dc.relation.ispartofseries | Research in Film and History | |
dc.rights | Creative Commons Attribution Non Commercial No Derivatives 4.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
dc.subject | Geschichtsdarstellung | de |
dc.subject | Geschichtsfilm | de |
dc.subject | Historizismus | de |
dc.subject | Phänomenologie | de |
dc.subject | Exzess | de |
dc.subject | visualizing history | en |
dc.subject | historical film | en |
dc.subject | historicism | en |
dc.subject | phenomenology | en |
dc.subject | excess | en |
dc.subject.ddc | ddc:791 | |
dc.subject.work | INTOLERANCE | |
dc.subject.work | MADAME DUBARRY | |
dc.subject.work | CABIRIA | |
dc.title | Re-Membering the Past: Historical Film and the Embodied Viewer | en |
dc.type | article | |
dc.type.status | publishedVersion | |
dspace.entity.type | Article | en |
local.coverpage | 2021-05-29T05:53:22 | |
local.identifier.firstpublished | https://film-history.org/issues/text/re-membering-past | |
local.source.epage | 7 | |
local.source.issue | 1 | |
local.source.issueTitle | The Long Path to Audio-visual History | |
local.source.spage | 1 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q192206 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q480109 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q1024861 |
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