Article:
Annette Michelson

dc.creatorKirsten, Guido
dc.date.accessioned2023-12-11T09:40:29Z
dc.date.available2023-12-11T09:40:29Z
dc.date.issued2019
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/20780
dc.identifier.urihttps://www.montage-av.de/pdf/2019_28_1_MontageAV/montage_AV_28_1_2019_138-140_Kirsten-Annette_Michelson.pdf
dc.identifier.urihttps://mediarep.org/handle/doc/22010
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:0942-4954
dc.relation.ispartofseriesmontage AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation
dc.rightsIn Copyright
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0
dc.subjectfranzösischen (Post-)Strukturalismusde
dc.subjectFilmwissenschaftde
dc.subject.ddcddc:791
dc.subject.personAnnette Michelson
dc.titleAnnette Michelsonde
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticle
local.coverpage2023-12-14T10:22:55
local.identifier.firstpublishedhttps://www.montage-av.de/pdf/2019_28_1_MontageAV/montage_AV_28_1_2019_138-140_Kirsten-Annette_Michelson.pdf
local.source.epage140
local.source.issue1
local.source.issueTitleTransnationales Kino
local.source.spage138
local.source.volume28
local.subject.gndhttps://d-nb.info/gnd/188460098
local.subject.wikidatahttps://www.wikidata.org/wiki/Q21176228
relation.isAuthorOfArticle1c9a3d61-cc24-4761-aa90-4a43e881ec43
relation.isAuthorOfArticle.latestForDiscovery1c9a3d61-cc24-4761-aa90-4a43e881ec43

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