Article:
In Cinemascope

dc.creatorBarthes, Roland
dc.date.accessioned2019-02-05T14:36:34Z
dc.date.available2019-02-05T14:36:34Z
dc.date.issued2015
dc.identifier.doi10.25969/mediarep/3507
dc.identifier.urihttps://mediarep.org/handle/doc/4247
dc.identifier.urihttps://www.montage-av.de/pdf/2015_24_1_MontageAV/montage_AV_24_1_2015_31-32_Barthes_In_Cinemascope.pdf
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:0942-4954
dc.relation.ispartofseriesmontage AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subjectCinemascopede
dc.subjectFilmästhetikde
dc.subjectRezeptionde
dc.subjectDispositivde
dc.subject.ddcddc:791
dc.subject.personRoland Barthes
dc.subject.personHenry Koster
dc.subject.personSergej M. Ėjzenštejn
dc.subject.workTHE ROBE
dc.subject.workDAS GEWAND
dc.subject.workPANZERKREUZER POTEMKIN
dc.titleIn Cinemascopede
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationBarthes, Roland (2015): In Cinemascope. In: montage AV 24 (1), 31–32. DOI: http://dx.doi.org/10.25969/mediarep/3507.
dspace.entity.typeArticleen
local.coverpage2021-05-29T04:46:30
local.identifier.firstpublishedhttps://www.montage-av.de/pdf/2015_24_1_MontageAV/montage_AV_24_1_2015_31-32_Barthes_In_Cinemascope.pdf
local.source.epage32
local.source.issue1
local.source.spage31
local.source.volume24
local.subject.gndhttps://d-nb.info/gnd/118506862
local.subject.gndhttps://d-nb.info/gnd/118529684
local.subject.gndhttps://d-nb.info/gnd/118987674
local.subject.wikidatahttps://www.wikidata.org/wiki/Q179109
local.subject.wikidatahttps://www.wikidata.org/wiki/Q8003
local.subject.wikidatahttps://www.wikidata.org/wiki/Q152350
local.subject.wikidatahttps://www.wikidata.org/wiki/Q61859
local.subject.wikidatahttps://www.wikidata.org/wiki/Q1139023

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