Article:
Composite Congress. On Dispersal Patterns in Mathew Brady's Political Imagery

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dc.creatorMeurer, Ulrich
dc.date.accessioned2022-06-21T08:29:51Z
dc.date.available2022-06-21T08:29:51Z
dc.date.issued2014
dc.description.abstractBased on the ›patchwork‹ as a concept of (political) heterarchy, the paper explores the formal and medial space of M. Brady’s collaged group portrait of the 36th US-Senate and House of Representatives (1859). Poised between unity and decomposition, the image constitutes a congenial map of American politics, its specific relationism and ›proximal distances.‹ However, Brady’s subsequent work sees this lose patchwork disintegrate during the Civil War and then solidify under Lincoln’s paternal rule.en
dc.identifier.doi10.28937/1000106412
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18581
dc.identifier.urihttps://meiner.de/artikel/1000106412
dc.identifier.urihttps://mediarep.org/handle/doc/19715
dc.languageeng
dc.publisherFelix Meiner
dc.publisher.placeHamburg
dc.relation.isPartOfissn:1869-1366
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rightsCreative Commons Attribution Non Commercial Share Alike 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0
dc.subjectPatchworkde
dc.subjectHeterarchiede
dc.subjectpatchworken
dc.subjectheterarchyen
dc.subject.ddcddc:300
dc.titleComposite Congress. On Dispersal Patterns in Mathew Brady's Political Imageryen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-06-21T10:43:05
local.source.epage164
local.source.issue1
local.source.issueTitleProducing Places
local.source.spage151
local.source.volume5

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2014/1 ‒ Producing Places