Article:
Disciplinary itineraries and digital methods: Examining the Kinomatics collaboration networks

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dc.creatorVerhoeven, Deb
dc.creatorMoore, Paul S.
dc.creatorColes, Amanda
dc.creatorCoate, Bronwyn
dc.creatorZemaityte, Vejune
dc.creatorMusial, Katarzyna
dc.creatorPrommer, Elizabeth
dc.creatorMantsio, Michelle
dc.creatorTaylor, Sarah
dc.creatorEltham, Ben
dc.creatorLoist, Skadi
dc.creatorDavidson, Alwyn
dc.date.accessioned2020-12-23T17:11:44Z
dc.date.available2020-12-23T17:11:44Z
dc.date.issued2020
dc.description.abstractThe Kinomatics project () is an international, interdisciplinary project applying innovative digital practices to study creative industries, particularly the film industry. Kinomatics uses data-driven tools and methods to examine the social, cultural, and economic ‘relationality’ of film distribution as a complex, overlapping, co-constituting media infrastructure. What is unique to this project is the way we apply the same methods for the study of film circulation to evaluate our own collaboration networks and determine future research opportunities. We produce both research tools and analysis that is focused on intervening in, rather than just describing, the creative industries. Kinomatics derives this recursive approach to method from digital humanities. This article conceptualises our approach with a critical social network analysis of how our own collaborations are structured and open to being reshaped. Being mindful of our multi-disciplinary methods as dispersed ‘teams of teams’ emphasises the relational dimensions of our work. These connections represent a significant interpersonal investment that is not always evident in the formal measurement of academic success, such as co-authorship for example. In researching how cinema operates as a global cultural industry, Kinomatics team members aim to collaborate on a ‘global’ scale themselves, across geographic and disciplinary boundaries. This article will show how our migration across specialities in inter-team collaboration and co-authorship has contributed to new approaches and collaboration dynamics.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15320
dc.identifier.urihttps://necsus-ejms.org/disciplinary-itineraries-and-digital-methods-examining-the-kinomatics-collaboration-networks/
dc.identifier.urihttps://mediarep.org/handle/doc/16128
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.ispartofissn:2213-0217
dc.relation.ispartofseriesNECSUS_European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectDigitale Methodende
dc.subjectDatenanalysede
dc.subjectFeminismusde
dc.subjectNetzwerkde
dc.subjectdigital methodsen
dc.subjectfeminismen
dc.subjectdata analysisen
dc.subjectnetworken
dc.subject.ddcddc:791
dc.titleDisciplinary itineraries and digital methods: Examining the Kinomatics collaboration networksen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T05:32:52
local.identifier.firstpublishedhttps://necsus-ejms.org/disciplinary-itineraries-and-digital-methods-examining-the-kinomatics-collaboration-networks/
local.source.epage298
local.source.issue2
local.source.issueTitle#Method
local.source.spage273
local.source.volume9
relation.isAuthorOfArticle8a0b853a-c46d-458c-a445-fca65c0a6e4f
relation.isAuthorOfArticle.latestForDiscovery8a0b853a-c46d-458c-a445-fca65c0a6e4f

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