Article:
Listening with the Eyes. Remarks on Live Coding Performance

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dc.creatorFlašar, Martin
dc.date.accessioned2024-06-14T08:47:48Z
dc.date.available2024-06-14T08:47:48Z
dc.date.issued2016
dc.description.abstractThe practice of “listening with the eyes” has a remarkably long history, which in the Western tradition of notated music can be traced back to at least the 16th century. The usage of musical figures or extramusical references leading to literature or fine art or even drawing with melodic lines could be considered a common effect of this practice. Music history, after intermedia and multimedia development in the 20th century, is now heading towards code-based performance. The crucial questions are: What is being performed: music, notation, or the process of creation? And who is the performer and who is the audience?en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/22227
dc.identifier.urihttps://perfomap.de/map7/media-performance-on-gestures/listening-with-the-eyes-remarks-on-live-coding-performance/martin-flasar-listening-with-the-eyes.pdf
dc.identifier.urihttps://mediarep.org/handle/doc/23631
dc.languageeng
dc.publisherHochschule für Musik und Theater Leipzig
dc.publisher.placeLeipzig
dc.relation.isPartOfissn:2191-0901
dc.relation.ispartofseriesMAP - Media | Archive | Performance
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectGeschichte des medialen Hörensde
dc.subjectIntermediade
dc.subjectLive Coding Performancede
dc.subjectintermediaen
dc.subjectlive coding performanceen
dc.subject.ddcddc:700
dc.titleListening with the Eyes. Remarks on Live Coding Performanceen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticle
local.coverpage2024-06-16T02:59:04
local.identifier.firstpublishedhttps://perfomap.de/map/7/media-performance-on-gestures/listening-with-the-eyes-remarks-on-live-coding-performance
local.source.epage7
local.source.issue1
local.source.issueTitleMAP #7 Media / Performance: On Gestures
local.source.spage1
local.source.volume7

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2016 - # 7 Media / Performance: On Gestures