Article:
Making the Most of the Archive: Commercial Exploitation of the Digital Archive on Contemporary Italian Network TV

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dc.creatorBarra, Luca
dc.creatorScaglioni, Massimo
dc.date.accessioned2020-08-13T09:50:32Z
dc.date.available2020-08-13T09:50:32Z
dc.date.issued2012-02-21
dc.description.abstractIn the last 20 years, Italian television has discovered the richness and profitability of its enormous archives. Many new programmes have been broadcast on public and commercial television, making extensive use of historical fragments taken from previously aired shows. This essay explores the rationale behind the commercial re-use of TV archives in four different programmes: the “variety show made of variety shows” Da Da Da, the militant pastiche Blob, the commercial programming remix Super Show, the comedy history rewritten by La Super Storia. On the basis of these programmes, the consequences and risks of putting de-contextualized pieces taken from the past into the contemporary TV flow will be explored.en
dc.identifier.doi10.18146/2213-0969.2012.jethc007
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14046
dc.identifier.urihttps://mediarep.org/handle/doc/15004
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectarchivesen
dc.subjectcommercial TVen
dc.subjectItalian Televisionen
dc.subjectPublic Service Broadcasteren
dc.subjectTV programmesen
dc.subjectTV historyen
dc.subjectConvergenceen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleMaking the Most of the Archive: Commercial Exploitation of the Digital Archive on Contemporary Italian Network TVen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:02:05
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2012.jethc007
local.source.epage47
local.source.issue1
local.source.spage40
local.source.volume1

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2012 | 1 | Making Sense of Digital Sources