Article:
Recording and Modeling: On the Desire for Presence in Historical Documentaries

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dc.creatorÖhner, Vrääth
dc.date.accessioned2020-08-25T11:45:59Z
dc.date.available2020-08-25T11:45:59Z
dc.date.issued2018
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14794
dc.identifier.urihttps://film-history.org/issues/text/recording-and-modeling
dc.identifier.urihttps://mediarep.org/handle/doc/15778
dc.languageeng
dc.publisherUniversität Bremen
dc.publisher.placeBremen
dc.relation.isPartOfissn:2627-5848
dc.relation.ispartofseriesResearch in Film and History
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectGeschichtede
dc.subjectDokumentarfilm / Fernsehende
dc.subjectFilmmusikde
dc.subjectGeräusch <Motiv>de
dc.subjecttelevision documentaryen
dc.subjectsoundtracken
dc.subjectnoiseen
dc.subject.ddcddc:791
dc.subject.workÖSTERREICH I
dc.titleRecording and Modeling: On the Desire for Presence in Historical Documentariesen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T05:53:57
local.identifier.firstpublishedhttps://film-history.org/issues/text/recording-and-modeling
local.source.epage7
local.source.issue1
local.source.issueTitleThe Long Path to Audio-visual History
local.source.spage1
local.subject.wikidatahttps://www.wikidata.org/wiki/Q298679

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