Article: Siegfried Kracauer’s affinities
dc.creator | Elsaesser, Thomas | |
dc.date.accessioned | 2018-09-26T11:48:24Z | |
dc.date.available | 2018-09-26T11:48:24Z | |
dc.date.issued | 2014 | |
dc.description.abstract | Seen from today’s vantage point, Siegfried Kracauer’s Theory of Film (1960) envisages the possibility that the cinema may turn out to have been a historical phenomenon whose technological specifications as well as aesthetic properties are contingent, but whose ‘ontology’ speaks to such broad concerns as ‘history’ and ‘life’. Kracauer poses affinities between photography and the cinema which can be understood not only in the context of a phenomenologically-inflected aesthetics of realism or as a covert manifesto supporting the modern cinema of the time-image, but they can also provide a foil for the moving image in its current condition, where art and life tend to change places and where the contingent, the endless, and the indeterminate have become the basis for extracting from images ‘useful’ information and ‘usable’ data. | en |
dc.identifier.doi | 10.5117/NECSUS2014.1.ELSA | |
dc.identifier.doi | http://dx.doi.org/10.25969/mediarep/15132 | |
dc.identifier.uri | https://www.necsus-ejms.org/test/siegfried-kracauers-affinities/ | |
dc.identifier.uri | https://mediarep.org/handle/doc/3315 | |
dc.language | eng | |
dc.publisher | Amsterdam University Press | |
dc.publisher.place | Amsterdam | |
dc.relation.isPartOf | issn:2213-0217 | |
dc.relation.ispartofseries | NECSUS. European Journal of Media Studies | |
dc.rights | Creative Commons Attribution Non Commercial No Derivatives 4.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
dc.subject | THEORY OF FILM | en |
dc.subject | film theory | en |
dc.subject | history of film theory | en |
dc.subject | life | en |
dc.subject | medium specificity | en |
dc.subject | mind-game movie | en |
dc.subject | the endless | en |
dc.subject | the fortuitous | en |
dc.subject | the indeterminate | en |
dc.subject | Filmtheorie | de |
dc.subject | Filmgeschichte | de |
dc.subject | Filmgeschichtsschreibung | de |
dc.subject | Medienspezifik | de |
dc.subject | Mindgame | de |
dc.subject.ddc | ddc:791 | |
dc.subject.person | Gilles Deleuze | |
dc.subject.person | Jacques Rancière | |
dc.subject.person | Jean-Luc Nancy | |
dc.subject.person | Rudolf Arnheim | |
dc.subject.person | Siegfried Kracauer | |
dc.title | Siegfried Kracauer’s affinities | en |
dc.type | article | |
dc.type.status | publishedVersion | |
dcterms.bibliographicCitation | Elsaesser, Thomas (2014): Siegfried Kracauer’s affinities. In: NECSUS. European Journal of Media Studies 3 (1), 5–20. DOI: https://doi.org/10.5117/NECSUS2014.1.ELSA. | |
dspace.entity.type | Article | en |
local.coverpage | 2021-05-29T05:22:50 | |
local.identifier.firstpublished | https://doi.org/10.5117/NECSUS2014.1.ELSA | |
local.source.epage | 20 | |
local.source.issue | 1 | |
local.source.spage | 5 | |
local.source.volume | 3 | |
local.subject.gnd | https://d-nb.info/gnd/118524534 | |
local.subject.gnd | https://d-nb.info/gnd/130468975 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q184226 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q467470 |
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