Article:
Zwischen Weimarer Kino und Film Noir. Strauchelnde Helden, flackerndes Licht und schrilles Lachen in Carl Froelichs Krimi Ich war Jack Mortimer (1935)

dc.creatorBeyer, Friedemann
dc.date.accessioned2023-12-19T11:11:02Z
dc.date.available2023-12-19T11:11:02Z
dc.date.issued2015
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/21526
dc.identifier.urihttps://www.filmblatt.de/2015/12/13/filmblatt-20-jg-nr-58-59-winter-2015-16/
dc.identifier.urihttps://mediarep.org/handle/doc/22676
dc.languagedeu
dc.publisherCineGraph Babelsberg
dc.publisher.placeBerlin
dc.relation.isPartOfissn:1433-2051
dc.relation.ispartofseriesFilmblatt
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFilmproduktionde
dc.subjectDrittes Reichde
dc.subjectnationalsozialistisches Kinosde
dc.subject.ddcddc:700
dc.subject.ddcddc:791.44
dc.titleZwischen Weimarer Kino und Film Noir. Strauchelnde Helden, flackerndes Licht und schrilles Lachen in Carl Froelichs Krimi Ich war Jack Mortimer (1935)de
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticle
local.coverpage2023-12-19T16:31:48
local.source.epage49
local.source.issue2
local.source.issueTitleFilmblatt 58/59
local.source.spage32
local.source.volume20

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