Article:
MP3s, rebundled debt, and performative economics – Deferral, derivatives, and digital commodity fetishism in Lady Gaga’s spectacle of excess

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dc.creatorKustritz, Anne
dc.date.accessioned2018-09-26T11:39:47Z
dc.date.available2018-09-26T11:39:47Z
dc.date.issued2012
dc.description.abstractLady Gaga’s rise to fame in the wake of the global financial crisis highlights the contradictions of late late capitalism in both the financial sector and the music industry. Both Gaga and second level economic units like derivatives rely on deferral, parody, and an ever-widening gap between the material and the figurative, the signifier and the signified, the locus of value and the exchange of money. Both thereby also offer the public a hidden opportunity to clearly see the disjuncture between the common belief in capitalism as a natural system and the reality of its social construction.en
dc.identifier.doi10.5117/NECSUS2012.2.KUST
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15048
dc.identifier.urihttps://www.necsus-ejms.org/test/mp3s-rebundled-debt-and-performative-economics-deferral-derivatives-and-digital-commodity-fetishism-in-lady-gagas-spectacle-of-excess/
dc.identifier.urihttps://mediarep.org/handle/doc/3200
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectMP3en
dc.subjectdebten
dc.subjecteconomicsen
dc.subjectdigital mediaen
dc.subjectmusicen
dc.subjectnew mediaen
dc.subjectMP3de
dc.subjectDigitalisierungde
dc.subjectWirtschaftswissenschaftde
dc.subjectDigitale Mediende
dc.subjectMusikde
dc.subjectNeue Mediende
dc.subject.ddcddc:780
dc.subject.personLady Gaga
dc.titleMP3s, rebundled debt, and performative economics – Deferral, derivatives, and digital commodity fetishism in Lady Gaga’s spectacle of excessen
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationKustritz, Anne (2012): MP3s, rebundled debt, and performative economics – Deferral, derivatives, and digital commodity fetishism in Lady Gaga’s spectacle of excess. In: NECSUS. European Journal of Media Studies 1 (2), 35–54. DOI: https://doi.org/10.5117/NECSUS2012.2.KUST.
dspace.entity.typeArticleen
local.coverpage2021-05-29T05:16:42
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2012.2.KUST
local.source.epage54
local.source.issue2
local.source.spage35
local.source.volume1
local.subject.gndhttps://d-nb.info/gnd/135898838
local.subject.wikidatahttps://www.wikidata.org/wiki/Q19848

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