Article:
Visions of Reconstruction: Layers of Moving Images

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dc.creatorPaalman, Floris
dc.date.accessioned2020-08-13T11:50:26Z
dc.date.available2020-08-13T11:50:26Z
dc.date.issued2015-12-30
dc.description.abstractAfter WWII, films accompanied the reconstruction of Europe’s destroyed cities. Many contained historical footage. Howwas thismaterial used to articulate visions of reconstruction, what happened to thematerial later on, and howdo these films relate to the city film archive? This question is approached in terms of collective cognitive functions, applied to a media archaeological case study of Rotterdam. In focus are two audio-visual landmarks, a municipally sponsored ‘film suite’ from 1950 and a television documentary from 1966, as well as their historical footage, all with different temporal horizons. This study attempts to position the city film archive in media history.en
dc.identifier.doi10.18146/2213-0969.2015.jethc096
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14134
dc.identifier.urihttps://mediarep.org/handle/doc/15100
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectcity filmen
dc.subjectmunicipal film archiveen
dc.subjectRotterdamen
dc.subjectcompilation filmen
dc.subjectmedia archaeologyen
dc.subjectreconstructionen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleVisions of Reconstruction: Layers of Moving Imagesen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:09:05
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2015.jethc096
local.source.epage113
local.source.issue8
local.source.spage91
local.source.volume4

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2015 | 8 | Archive-Based Productions