Article:
I’m Sorry I Don’t Have a Story: An Essay Involving Interactive Documentary, Bristol and Hypertext

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dc.creatorMiles, Adrian
dc.date.accessioned2020-08-24T13:26:15Z
dc.date.available2020-08-24T13:26:15Z
dc.date.issued2016-12-31
dc.description.abstractThis essay provides an introductory analysis of Alisa Lebow’s interactive documentary Filming Revolution. It approaches the work from the point of view of new media, rather than documentary, arguing that the work adopts an important non–narrative form as a way to describe revolution, and to prevent the foreclosure that story enforces. This essay is experimental to the extent that it tries (with mixed fortune) to introduce the essayistic into scholarly writing, and, perhaps, tries to find room for some of the qualities of the essay film in a personal academic practice.en
dc.identifier.doi10.18146/2213-0969.2016.jethc113
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14719
dc.identifier.urihttps://mediarep.org/handle/doc/15694
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectspeculative realismen
dc.subjectinteractive documentaryen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleI’m Sorry I Don’t Have a Story: An Essay Involving Interactive Documentary, Bristol and Hypertexten
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:09:40
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2016.jethc113
local.source.epage86
local.source.issue10
local.source.spage67
local.source.volume5

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2016 | 10 | Non-fiction Transmedia