Article:
Novel Televisual Environments: Immersive Spectatorship and the Future of Stereoscopic 3DTV

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dc.creatorMehrabov, Ilkin
dc.date.accessioned2020-08-13T11:47:33Z
dc.date.available2020-08-13T11:47:33Z
dc.date.issued2015-09-09
dc.description.abstractThis article focuses on one of the most ground-breaking technological attempts to create a novel immersive media environment for a heightened televisual user experience: 3DTV, a Network of Excellence project that was funded by the European Commission 6th Framework Information Society Technologies Programme. Based on the theoretical framework mainly outlined in the works of Jonathan Crary and Brian Winston, and on empirical data obtained from the author’s laboratory visit notes and discussions with 3DTV practitioners, this article explores the claimed novelty of 3DTV through a focus on the history of stereoscopic vision and addresses the inconsistency between the research project’s expected and actual results.en
dc.identifier.doi10.18146/2213-0969.2015.jethc084
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14122
dc.identifier.urihttps://mediarep.org/handle/doc/15087
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectimmersive mediaen
dc.subjectStereoscopic visionen
dc.subject3DTVen
dc.subjectmedia archaeologyen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleNovel Televisual Environments: Immersive Spectatorship and the Future of Stereoscopic 3DTVen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:08:05
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2015.jethc084
local.source.epage109
local.source.issue7
local.source.spage99
local.source.volume4

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2015 | 7 | Archaeologies of Tele-Visions and -Realities