Article:
Filming for Television: How a 16mm Film Crew Worked Together

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dc.creatorEllis, John
dc.date.accessioned2020-08-24T14:00:20Z
dc.date.available2020-08-24T14:00:20Z
dc.date.issued2019-10-27
dc.description.abstractA media archaeology project reveals how film crews worked together. By reuniting analogue equipment with the professionals who used to use it, the ADAPT project is able to unpack the professional routines and relationships of both people and technology that are at the core of television production. This detailed study of a film crew setting up 16mm equipment reveals the constraints and affordances that defined analogue television material. To study working practices in a historical setting also reveals that there is an absent area in contemporary production studies: the work of ‘content acquisition’.en
dc.identifier.doi10.18146/2213-0969.2019.jethc167
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14768
dc.identifier.urihttps://mediarep.org/handle/doc/15749
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjecthistory of technologyen
dc.subjectBBCen
dc.subjectproduction studiesen
dc.subjectTelevision Historyen
dc.subjectUnited Kingdomen
dc.subject16mm filmen
dc.subjectfilm productionen
dc.subjectmedia archaeologyen
dc.subjectÉclairen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleFilming for Television: How a 16mm Film Crew Worked Togetheren
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:14:20
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2019.jethc167
local.source.epage110
local.source.issue15
local.source.spage91
local.source.volume8

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2019 | 15 | Material Histories of Television