Article:
Das Secret Cinema als hybride Kino-Erfahrung

dc.creatorKlein, Thomas
dc.date.accessioned2018-09-21T12:40:57Z
dc.date.available2018-09-21T12:40:57Z
dc.date.issued2013
dc.identifier.doi10.25969/mediarep/2658
dc.identifier.urihttps://mediarep.org/handle/doc/1525
dc.languagedeu
dc.publisherSchüren
dc.publisher.placeMarburg
dc.relation.isPartOfissn:0179-2555
dc.relation.isPartOfdoi:http://dx.doi.org/10.25969/mediarep/2610
dc.relation.ispartofseriesAugenBlick. Konstanzer Hefte zur Medienwissenschaft
dc.rightsIn Copyrighten
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subjectKinokulturde
dc.subjectEventde
dc.subjectImmersionde
dc.subject.ddcddc:791
dc.subject.personFrank Darabont
dc.subject.workTHE SHAWSHANK REDEMPTION
dc.titleDas Secret Cinema als hybride Kino-Erfahrungde
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationKlein, Thomas (2013): Das Secret Cinema als hybride Kino-Erfahrung. In: AugenBlick. Konstanzer Hefte zur Medienwissenschaft (56/57), S. 168–186. DOI: http://dx.doi.org/10.25969/mediarep/2658.
dspace.entity.typeArticleen
local.coverpage2021-05-29T02:26:34
local.source.epage186
local.source.issueTitleHeft 56/57: Erfahrungsraum Kino
local.source.spage168
local.subject.gndhttps://d-nb.info/gnd/4766983-4
local.subject.wikidatahttps://www.wikidata.org/wiki/Q172241
local.subject.wikidatahttps://www.wikidata.org/wiki/Q295445
relation.isJournalIssueOfArticlea01d7f0b-effb-4361-8998-f2b7c443daae
relation.isJournalIssueOfArticle.latestForDiscoverya01d7f0b-effb-4361-8998-f2b7c443daae

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