Article:
Port of call: The eyeline of the logistical image

dc.creatorTurner, Stephen
dc.date.accessioned2023-07-17T07:14:20Z
dc.date.available2023-07-17T07:14:20Z
dc.date.issued2023
dc.description.abstractFrom the surface of the sea to a sea of data as a canvas of affective inscription, the port emerges as a calling card, constituted by the aggregate image of logistical media and its ‘looks’ and ‘likes’. The surface of software infrastructure encompasses and extends the operation of the port. Cross-weaving documentary (Allan Sekula and Noël Burch’s The Forgotten Space [2010]), experimental and independent film (Jean Luc Godard’s Socialisme [2010], Philip Scheffner’s Havarie [2010]), reality television (Below Deck: Mediterranean, 2016-present), and Instagram, the port emerges as the para-site par excellence of floating capital, consumption, and waste.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19752
dc.identifier.urihttps://mediarep.org/handle/doc/20964
dc.languageeng
dc.publisherNECS
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS_European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectlogistical mediaen
dc.subjectsea of dataen
dc.subjectsurface forensicsen
dc.subjectcolonial photographyen
dc.subjecttourist cruiseen
dc.subject.ddcddc:300
dc.subject.ddcddc:700
dc.titlePort of call: The eyeline of the logistical imageen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2023-09-18T16:10:30
local.identifier.firstpublishedhttps://necsus-ejms.org/port-of-call-the-eyeline-of-the-logistical-image/
local.source.epage57
local.source.issue1
local.source.issueTitle#Ports
local.source.spage35
local.source.volume12

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