Article:
‘Aesthetic Proximity’ and Transnational TV Series: Adapting Forbrydelsen in the Turkish Context

dc.contributor.editorPajala, Mari
dc.contributor.editorEllis, John
dc.creatorKesirli Unur, Ayşegül
dc.date.accessioned2021-07-16T07:44:05Z
dc.date.available2021-07-16T07:44:05Z
dc.date.issued2021
dc.description.abstractThis article focuses on the short lived Turkish police procedural TV series, Cinayet (The Murder, Akbel Film and Adam Film, 2014) which is a scripted format adaptation of the celebrated Danish crime drama Forbrydelsen (DR, 2007-2012). By making a comparative textual analysis of the series, the article intends to emphasize the significance of ‘aesthetic proximity’ as a concept in discussing the global flow of television content and to reveal the challenges of adapting a scripted format which is stylistically different than the local stylistic conventions.en
dc.identifier.doihttp://doi.org/10.18146/view.197
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/16250
dc.identifier.issnissn:2213-0969
dc.identifier.urihttps://viewjournal.eu/articles/10.18146/view.197/
dc.identifier.urihttps://mediarep.org/handle/doc/17102
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.ispartofseriesVIEW. Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectTurkish Police Proceduralsen
dc.subjectAesthetic Proximityen
dc.subject.ddcddc:791
dc.subject.workForbrydelsen
dc.subject.workCinayet
dc.title‘Aesthetic Proximity’ and Transnational TV Series: Adapting Forbrydelsen in the Turkish Contexten
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-07-16T10:17:52
local.identifier.firstpublishedhttp://doi.org/10.18146/view.197
local.source.epage111
local.source.issue19
local.source.spage99
local.source.volume10
local.subject.wikidatahttps://www.wikidata.org/wiki/Q956446

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