Article:
Raum, Zeit und Körper in Actionspielen: MAX PAYNE

dc.creatorGunzenhäuser, Randi
dc.date.accessioned2022-01-04T13:20:01Z
dc.date.available2022-01-04T13:20:01Z
dc.date.issued2002
dc.description.abstractThe essay examines genre discourses in the action game Max Payne (2001). It draws attention to notions of space, time, and bodies by positioning the game in relation to Hollywood action movies. This entails an examination of the technological specifity of the cinematic and game apparatus respectively. Aesthetic and narrative properties of the action genre are then being related to a parallel construction prevailing in the complex aesthetics of the sublime and the beautiful, a theory which foregrounds gendered power relations. I argue that gaming technologies mediate presence in historically and culturally specific ways, allowing male users to experience their subject function in distinct ways. Therefore, an intertextual examination of the computer gaze allows a reappraisal of computer-generated environments in terms of cultural constructions of identity.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/17510
dc.identifier.urihttps://mediarep.org/handle/doc/18458
dc.languagedeu
dc.publisherRoberto Simanowski
dc.publisher.placeBerlin
dc.relation.isPartOfissn:1617-6901
dc.relation.ispartofseriesDichtung Digital. Journal für Kunst und Kultur digitaler Medien
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectVideospielde
dc.subjectFilmde
dc.subjectIntermedialitätde
dc.subject.ddcddc:791
dc.subject.workMAX PAYNE
dc.titleRaum, Zeit und Körper in Actionspielen: MAX PAYNEde
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-01-05T09:38:59
local.source.epage23
local.source.issue2
local.source.issueTitleNr. 22
local.source.spage1
local.source.volume4
local.subject.wikidatahttps://www.wikidata.org/wiki/Q238015

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