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Article:
Contested Memory: Bromberg 1939

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dc.contributor.editorWahl, Chris
dc.contributor.editorEbbrecht-Hartmann, Tobias
dc.creatorBen-Moshe, Yael
dc.creatorZöller, Alexander
dc.date.accessioned2025-07-28T15:30:28Z
dc.date.issued2025
dc.description.abstract“This is a study of selective cultural preservation”, wrote Lewis E. Coser in his introduction to Maurice Halbwachs’ book On Collective Memory. Coser pointed to the “cultural” aspect, because indeed Halbwachs dedicated most of his study to collective memory rather than just personal memory. Although collective memory cannot serve as a substitute for our personal memory, it takes precedence over it because the individual needs an external structure for their personal memory.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/24053
dc.identifier.urihttps://film-history.org/index.php/issues/text/contested-memory
dc.identifier.urihttps://mediarep.org/handle/doc/25959
dc.languageeng
dc.publisherUniversität Bremen
dc.publisher.placeBremen
dc.relation.isPartOfissn:2627-5848
dc.relation.ispartofseriesResearch in Film and History
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectMemory Studiesen
dc.subjectBromberger Blutsonntagen
dc.subjectSecond World Waren
dc.subjectGerman Propagandaen
dc.subjectAtrocitiesen
dc.subject.ddcddc:791
dc.titleContested Memory: Bromberg 1939en
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticle
local.coverpage2025-07-29T02:39:01
local.identifier.firstpublishedhttps://film-history.org/index.php/issues/text/contested-memory
local.source.epage49
local.source.issue7
local.source.issueTitleIconic Film Footage from the Nazi Era
local.source.spage1

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