Article: Desktop documentary as scholarly subjectivity: Five approaches
Abstract
Desktop documentary has gained increasing prominence both within and beyond cinema and media scholarly practice. The recent ascendance of desktop filmmaking prompts an occasion to reflect on the current state of the practice. The five original desktop videos presented in this section offer such an occasion for reflection, particularly with regard to the distinguishing qualities and affordances of desktop documentary and desktop subjectivities for cinema and media scholarship.
Preferred Citation
BibTex
Lee, Kevin B.; Avissar, Ariel: Desktop documentary as scholarly subjectivity: Five approaches. In: NECSUS_European Journal of Media Studies, Jg. 12 (2023), Nr. 1, S. 276-280. DOI: http://dx.doi.org/10.25969/mediarep/19737.
@ARTICLE{Lee2023,
 author = {Lee, Kevin B. and Avissar, Ariel},
 title = {Desktop documentary as scholarly subjectivity: Five approaches},
 year = 2023,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/19737}",
 volume = 12,
 address = {Marburg},
 journal = {NECSUS_European Journal of Media Studies},
 number = 1,
 pages = {276--280},
}
 author = {Lee, Kevin B. and Avissar, Ariel},
 title = {Desktop documentary as scholarly subjectivity: Five approaches},
 year = 2023,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/19737}",
 volume = 12,
 address = {Marburg},
 journal = {NECSUS_European Journal of Media Studies},
 number = 1,
 pages = {276--280},
}
As long as there is no further specification, the item is under the following license: Creative Commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen