Article:
Comunicar Europa/Communicating Europe: Spain, Television Co-productions and the Case of Pepe Carvalho

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dc.creatorPalacio, Manuel
dc.creatorCascajosa, Concepción
dc.date.accessioned2020-08-13T09:59:13Z
dc.date.available2020-08-13T09:59:13Z
dc.date.issued2012-11-29
dc.description.abstractThis article will look into the case of a European television co-production: Pepe Carvalho (1999), a Spanish-Italian-French series based on the adventures of private detective created by writer Manuel Vázquez Montalbán. Taking account of production and reception issues, it will address the complexities of using media in the process of European construction. The main objective of this text is to observe the manner in which cinema and television are interwoven into the collection of actions that are working towards the idea of Europe as a community, looking into processes that give meaning to the collective transmission of European values. The article will focus specifically on the way in which critics and media scholars collaborate as spurs or brakes in the processes of ‘comunicar Europa’ / ‘communicating Europe’.en
dc.identifier.doi10.18146/2213-0969.2012.jethc016
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/14054
dc.identifier.urihttps://mediarep.org/handle/doc/15013
dc.languageeng
dc.publisherNetherlands Institute for Sound and Vision
dc.publisher.placeHilversum
dc.relation.isPartOfissn:2213-0969
dc.relation.ispartofseriesVIEW Journal of European Television History and Culture
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFernsehende
dc.subjectSpanish televisionen
dc.subjectGlobal Televisionen
dc.subjectEuropean co-productionsen
dc.subjectliterary adaptationsen
dc.subject.ddcddc:070
dc.subject.ddcddc:791
dc.titleComunicar Europa/Communicating Europe: Spain, Television Co-productions and the Case of Pepe Carvalhoen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2021-05-29T06:02:46
local.identifier.firstpublishedhttps://doi.org/10.18146/2213-0969.2012.jethc016
local.source.epage37
local.source.issue2
local.source.spage25
local.source.volume1

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2012 | 2 | Europe on and Behind the Screens