Article: Hollywood-Montage. Theorie, Geschichte und Analyse des «Vorkapich-Effekts»
dc.creator | Vonderau, Patrick | |
dc.date.accessioned | 2019-12-13T14:53:37Z | |
dc.date.available | 2019-12-13T14:53:37Z | |
dc.date.issued | 2016 | |
dc.identifier.doi | 10.25969/mediarep/13003 | |
dc.identifier.uri | https://www.montage-av.de/pdf/2016_25_2_MontageAV/montageav16-2-Vonderau.pdf | |
dc.identifier.uri | https://mediarep.org/handle/doc/13922 | |
dc.language | deu | |
dc.publisher | Schüren | |
dc.publisher.place | Marburg | |
dc.relation.isPartOf | issn:0942-4954 | |
dc.relation.ispartofseries | montage AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation | |
dc.rights | In Copyright | |
dc.rights.uri | https://rightsstatements.org/vocab/InC/1.0 | |
dc.subject | Montage | de |
dc.subject | Hollywood | de |
dc.subject | Filmstil | de |
dc.subject | Filmanalyse | de |
dc.subject.ddc | ddc:791 | |
dc.subject.person | Slavko Vorkapich | |
dc.title | Hollywood-Montage. Theorie, Geschichte und Analyse des «Vorkapich-Effekts» | de |
dc.type | article | |
dc.type.status | publishedVersion | |
dcterms.bibliographicCitation | Patrick Vonderau: Hollywood-Montage. Theorie, Geschichte und Analyse des «Vorkapich-Effekts». In: montage AV, Jg. 25 (2016) Nr. 2, S. 201–224. DOI: http://dx.doi.org/10.25969/mediarep/13003. | |
dspace.entity.type | Article | en |
local.coverpage | 2021-05-29T04:49:28 | |
local.identifier.firstpublished | https://www.montage-av.de/pdf/2016_25_2_MontageAV/montageav16-2-Vonderau.pdf | |
local.source.epage | 224 | |
local.source.issue | 2 | |
local.source.issueTitle | 1992 | |
local.source.spage | 201 | |
local.source.volume | 25 | |
local.subject.gnd | https://d-nb.info/gnd/138737754 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q1270602 | |
relation.isAuthorOfArticle | b1d743e2-a573-4d24-be24-cb2c587bde09 | |
relation.isAuthorOfArticle.latestForDiscovery | b1d743e2-a573-4d24-be24-cb2c587bde09 |
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