Article:
Parallel Editing, Double Time. Mad Men’s Time Machine

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dc.creatorBronfen, Elisabeth
dc.date.accessioned2022-06-21T11:43:37Z
dc.date.available2022-06-21T11:43:37Z
dc.date.issued2018
dc.description.abstractThis article looks at the way Matthew Weiner deploys double vision in his historical re-imagination of the 1960s in Mad Men. At issue is both the way the past haunts the present on the diegetic level in the form of flashback sequences, as well as the way Weiner performs simultaneity by virtue of parallel editing, especially in the closing sequences of individual episodes. At issue also is the way stock footage of key historical events such as the moon landing is deployed so as to offer a further juxtaposition of present and past.en
dc.identifier.doi10.28937/ZMK-9-1
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18694
dc.identifier.urihttps://meiner.de/isbn/2366767000091
dc.identifier.urihttps://mediarep.org/handle/doc/19836
dc.languageeng
dc.publisherFelix Meiner
dc.publisher.placeHamburg
dc.relation.isPartOfissn:1869-1366
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0/
dc.subjectpasten
dc.subjectpresenten
dc.subjectfilmen
dc.subjectsimultaneityen
dc.subjecteditingen
dc.subject.ddcddc:791.44
dc.titleParallel Editing, Double Time. Mad Men’s Time Machinede
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-06-21T13:58:43
local.source.epage48
local.source.issue1
local.source.issueTitleMediocene
local.source.spage33
local.source.volume9

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2018/1 ‒ Mediocene