Article:
The Camera Shot and the Gun Sight

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dc.creatorMoss, Anne Eakin
dc.date.accessioned2022-06-21T12:37:31Z
dc.date.available2022-06-21T12:37:31Z
dc.date.issued2019
dc.description.abstractThis article examines the connections between the camera shot and the gun sight in the age of classic Hollywood cinema. Comparing THE LOST PATROL (USA 1934, John Ford) with TRINADTSAT (THIRTEEN, UdSSR 1936, Mikhail Romm), it asks what kind of relationship films from this era strove to establish between the viewer and the gun shot on screen. The ideological and stylistic differences between the films make visible divergent fantasies of agency, community and technology.en
dc.identifier.doi10.28937/1000108349
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/18735
dc.identifier.urihttps://meiner.de/artikel/1000108349
dc.identifier.urihttps://mediarep.org/handle/doc/19880
dc.languageeng
dc.publisherFelix Meiner
dc.publisher.placeHamburg
dc.relation.isPartOfissn:1869-1366
dc.relation.ispartofseriesZMK Zeitschrift für Medien- und Kulturforschung
dc.rightsCreative Commons Attribution Non Commercial Share Alike 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0
dc.subjectklassisches Hollywoodkinode
dc.subjectKamerade
dc.subjectclassic Hollywood cinemaen
dc.subjectcamera shoten
dc.subject.ddcddc:791.44
dc.titleThe Camera Shot and the Gun Sighten
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2022-06-21T14:53:29
local.source.epage38
local.source.issue2
local.source.issueTitleBlockchain
local.source.spage25
local.source.volume10

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