Article:
Retro, faux-vintage, and anachronism: When cinema looks back

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dc.creatorBaschiera, Stefano
dc.creatorCaoduro, Elena
dc.date.accessioned2018-09-26T11:54:45Z
dc.date.available2018-09-26T11:54:45Z
dc.date.issued2015
dc.description.abstractThis article explores the definition of ‘vintage cinema’ and specifically re-evaluates the fetishism for the past and its regurgitation in the present by providing a taxonomy of the phenomenon in recent film production. Our contribution identifies three aesthetic categories: faux-vintage, retro and anachronistic; by illustrating their overlapping and discrepancies it argues that the past remains a powerful negotiator of meaning for the present and the future. Drawing on studies of memory and digital nostalgia, this article focuses on the latter category: anachronism. It furthermore unravels the persistence of and the filmic fascination for obsolete analogue objects through an analysis of ONLY LOVERS LEFT ALIVE (Jim Jarmusch, 2013).en
dc.identifier.doi10.5117/NECSUS2015.2.BASC
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/15202
dc.identifier.urihttps://www.necsus-ejms.org/test/retro-faux-vintage-and-anachronism-when-cinema-looks-back/
dc.identifier.urihttps://mediarep.org/handle/doc/3385
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS. European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectAnachronismusde
dc.subjectFetischismusde
dc.subjectNostalgiede
dc.subjectObsoleszenzde
dc.subjectvintagede
dc.subjectanachronismen
dc.subjectanalogueen
dc.subjectfetishismen
dc.subjectnostalgiaen
dc.subjectobsolescenceen
dc.subjectvintageen
dc.subject.ddcddc:791
dc.subject.personJim Jarmusch
dc.subject.workONLY LOVERS LEFT ALIVE
dc.titleRetro, faux-vintage, and anachronism: When cinema looks backen
dc.typearticle
dc.type.statuspublishedVersion
dcterms.bibliographicCitationBaschiera, Stefano; Caoduro, Elena (2015): Retro, faux-vintage, and anachronism: When cinema looks back. In: NECSUS. European Journal of Media Studies 4 (2), 143–163. DOI: https://doi.org/10.5117/NECSUS2015.2.BASC.
dspace.entity.typeArticleen
local.coverpage2021-05-29T05:27:59
local.identifier.firstpublishedhttps://doi.org/10.5117/NECSUS2015.2.BASC
local.source.epage163
local.source.issue2
local.source.spage143
local.source.volume4
local.subject.gndhttps://d-nb.info/gnd/120820366
local.subject.wikidatahttps://www.wikidata.org/wiki/Q191755
local.subject.wikidatahttps://www.wikidata.org/wiki/Q3352751

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