Book:
Farocki/Godard: Film as Theory

Simple item page
dc.creatorPantenburg, Volker
dc.date.accessioned2019-02-22T10:55:55Z
dc.date.available2019-02-22T10:55:55Z
dc.date.issued2015
dc.description.abstractThere is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking. This book brings together two major filmmakers - French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki - to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."en
dc.identifier.doi10.25969/mediarep/3558
dc.identifier.doi10.5117/9789089648914
dc.identifier.isbnisbn:9789048527557
dc.identifier.urihttps://mediarep.org/handle/doc/4300
dc.languageeng
dc.publisherAmsterdam University Press
dc.publisher.placeAmsterdam
dc.relation.isReviewedByurl:https://mediarep.org/handle/doc/5774
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0
dc.subjectKinode
dc.subjectFilmtheoriede
dc.subjectMontage <Film>de
dc.subjectAvantgardede
dc.subjectNouvelle Vaguede
dc.subjectFrench New Waveen
dc.subjectavant-gardeen
dc.subjectcinemaen
dc.subjectfilm theoryen
dc.subjectessay filmen
dc.subjectpaintingen
dc.subjectmontageen
dc.subject.ddcddc:791
dc.subject.personHarun Farocki
dc.subject.personJean-Luc Godard
dc.titleFarocki/Godard: Film as Theoryen
dc.typebook
dc.type.statuspublishedVersion
dcterms.bibliographicCitationPantenburg, Volker (2015): Farocki/Godard: Film as Theory. Amsterdam: Amsterdam University Press. DOI: http://dx.doi.org/10.25969/mediarep/3558.
dspace.entity.typeBooken
local.academicbookseriesFilm Culture in Transitionen
local.coverpage2021-05-29T01:28:54
local.identifier.firstpublishedhttp://library.oapen.org/handle/20.500.12657/32375
local.subject.gndhttps://d-nb.info/gnd/119157152
local.subject.gndhttps://d-nb.info/gnd/118540009
local.subject.wikidatahttps://www.wikidata.org/wiki/Q67547
local.subject.wikidatahttps://www.wikidata.org/wiki/Q53001
relation.isAuthorOfBook7891f256-8688-4480-829d-7f46985ea19f
relation.isAuthorOfBook.latestForDiscovery7891f256-8688-4480-829d-7f46985ea19f

Files

Original bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
Pantenburg_2015_Farocki-Godard_Film-as-Theory_.pdf
Size:
5.07 MB
Format:
Adobe Portable Document Format
Description:
Original PDF with additional cover page.
Download

Collections

Monographien