Book:
Mapping the Sensible. Distribution, Inscription, Cinematic Thinking

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dc.creatorCarter, Erica
dc.creatorMalcomess, Bettina
dc.creatorRositzka, Eileen
dc.date.accessioned2023-02-24T09:44:13Z
dc.date.available2023-02-24T09:44:13Z
dc.date.issued2023
dc.description.abstractIn academic and public discourse, 'mapping' has become a ubiquitous term for epistemic practices ranging from surveys of scholarly fields to processes of data collection, ordering and visualization. Mapping captures patterns of distribution, segregation and hierarchy across socio-cultural spaces and geographical territories. Often lost in such accounts, however, is the experiential dimension of mapping as an aesthetic practice with determinate social, cultural and political effects. This volume draws on approaches from film philosophy, media archaeology, decolonial scholarship and independent film practice to explore mapping as a mediated experience in which film becomes entangled in larger processes of historical subject-formation, as well as in dissident reconfigurations of cultural memory. Proposing an approach to mapping through decolonial aesthetics and poetic thinking, the three essays in this volume help define a film studies perspective on mapping as a practice that structures political and aesthetic regimes, organizes and communicates shared realities, but also enables dissenting reconfigurations of concretely experienced worlds.en
dc.identifier.doi/doi.org/10.1515/9783110769012
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19304
dc.identifier.isbnisbn:9783110769012
dc.identifier.urihttps://www.degruyter.com/document/doi/10.1515/9783110769012/html
dc.identifier.urihttps://mediarep.org/handle/doc/20480
dc.languageeng
dc.publisherde Gruyter
dc.publisher.placeBerlin
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectPostcolonialismen
dc.subjectFilmic Experienceen
dc.subjectEmbodied Mobilitiesen
dc.subject.ddcddc:791
dc.titleMapping the Sensible. Distribution, Inscription, Cinematic Thinkingde
dc.typebook
dc.type.statuspublishedVersion
dspace.entity.typeBooken
local.academicbookseriesCinepoetics Essay
local.coverpage2023-02-24T10:50:21
local.identifier.firstpublishedhttps://doi.org/10.1515/9783110769012
local.source.volume3

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