Book:
Who Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respect

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dc.creatorLindeperg, Sylvie
dc.creatorSzczepanska, Ania
dc.date.accessioned2021-12-14T20:59:01Z
dc.date.available2021-12-14T20:59:01Z
dc.date.issued2021
dc.description.abstractDigital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. This volume draws a detailed map of these challenges and offers perspectives for further research and creative practice.en
dc.identifier.doi10.14619/0146
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/17193
dc.identifier.isbnisbn:Isbn:978-3-95796-014-6
dc.identifier.urihttps://meson.press/books/who-owns-the-images/
dc.identifier.urihttps://mediarep.org/handle/doc/18113
dc.languageeng
dc.publishermeson press
dc.publisher.placeLüneburg
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectImageen
dc.subjectArchiveen
dc.subject.ddcddc:300
dc.titleWho Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respecten
dc.typebook
dc.type.statuspublishedVersion
dspace.entity.typeBooken
local.academicbookseriesConfigurations of Film Series
local.coverpage2021-12-14T22:02:56
local.identifier.firstpublishedhttps://doi.org/10.14619/0146
local.source.volume4

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