Book:
Medium, Format, Configuration: The Displacements of Film

dc.creatorTurquety, Benoît
dc.date.accessioned2020-01-31T16:02:06Z
dc.date.available2020-01-31T16:02:06Z
dc.date.issued2019
dc.description.abstractIn contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.en
dc.identifier.doi10.14619/0047
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/13150
dc.identifier.isbnisbn:978-3-95796-004-7
dc.identifier.urihttps://mediarep.org/handle/doc/14072
dc.languageeng
dc.publishermeson press
dc.publisher.placeLüneburg
dc.rightsCreative Commons Attribution Share Alike 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFilmde
dc.subjectFormatde
dc.subjectMedientheoriede
dc.subject.ddcddc:791
dc.subject.personGilbert Simondon
dc.titleMedium, Format, Configuration: The Displacements of Filmen
dc.typebook
dc.type.statuspublishedVersion
dcterms.bibliographicCitationBenoît Turquety: Medium, Format, Configuration: The Displacements of Film. Lüneburg: meson press (2019) (Configurations of Film Series). DOI: http://dx.doi.org/10.14619/0047.
dspace.entity.typeBooken
local.academicbookseriesConfigurations of Film Series
local.coverpage2021-05-29T01:34:47
local.identifier.firstpublishedhttps://doi.org/10.14619/0047
local.subject.gndhttp://d-nb.info/gnd/124792510
local.subject.wikidatahttps://www.wikidata.org/wiki/Q1345582

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