Book part:
The noisy motions of instruments. The performative space of high-frequency trading

dc.contributor.editorLeeker, Martina
dc.contributor.editorSchipper, Imanuel
dc.contributor.editorBeyes, Timon
dc.creatorLange, Ann-Christina
dc.date.accessioned2018-09-24T13:26:06Z
dc.date.available2018-09-24T13:26:06Z
dc.date.issued2017
dc.identifier.doi10.25969/mediarep/2106
dc.identifier.isbnisbn:978-3-8394-3355-3
dc.identifier.urihttps://mediarep.org/handle/doc/2185
dc.languageeng
dc.publishertranscript
dc.publisher.placeBielefeld
dc.relation.isPartOfisbn:978-3-8394-3355-3
dc.relation.isPartOfdoi:http://dx.doi.org/10.25969/mediarep/1159
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0
dc.subjectAlgorithmusde
dc.subjectÖkonomiede
dc.subjectPerformativitätde
dc.subject.ddcddc:300
dc.titleThe noisy motions of instruments. The performative space of high-frequency tradingde
dc.typebookPart
dc.type.statuspublishedVersion
dcterms.bibliographicCitationLange, Ann-Christina (2017): The noisy motions of instruments. The performative space of high-frequency trading. In: Martina Leeker, Imanuel Schipper und Timon Beyes (Hg.): Performing the Digital. Performativity and Performance Studies in Digital Cultures. Bielefeld: transcript (Digitale Gesellschaft, 11), 101-114. DOI: http://dx.doi.org/10.25969/mediarep/2106.
dspace.entity.typeBookParten
local.coverpage2021-01-15T01:00:57
local.source.booktitlePerforming the Digital. Performativity and Performance Studies in Digital Cultures
local.source.epage114
local.source.spage101

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