Book part:
Französische Ansätze zur Analyse der filmischen Figur - André Gardies, Marc Vernet, Nicole Brenez

dc.contributor.editorHeller, Heinz-B.
dc.contributor.editorPrümm, Karl
dc.contributor.editorPeulings, Birgit
dc.creatorBlüher, Dominique
dc.date.accessioned2020-08-14T12:13:25Z
dc.date.available2020-08-14T12:13:25Z
dc.date.issued1999
dc.identifier.doi10.25969/mediarep/14166
dc.identifier.isbnisbn:3-89472-314-9
dc.identifier.urihttps://mediarep.org/handle/doc/15134
dc.languagedeu
dc.publisherSchüren
dc.relation.isPartOfdoi:https://doi.org/10.25969/mediarep/14141
dc.rightsIn Copyrighten
dc.rights.urihttps://rightsstatements.org/vocab/InC/1.0/
dc.subjectKinode
dc.subjectFrankreichde
dc.subjectFigurenanalysede
dc.subjectFilmfigurde
dc.subjectSchauspielerde
dc.subjectFigurenkonstellationde
dc.subject.ddcddc:791
dc.subject.personAndré Gardies
dc.subject.personMarc Vernet
dc.subject.personNicole Brenez
dc.subject.personPhilippe Hamon
dc.subject.personClaude Lévi-Strauss
dc.subject.personPatrice Pavis
dc.subject.personJohn Cassavetes
dc.subject.workTHE KILLING OF A CHINESE BOOKIE
dc.titleFranzösische Ansätze zur Analyse der filmischen Figur - André Gardies, Marc Vernet, Nicole Brenezde
dc.typebookPart
dc.type.statuspublishedVersion
dspace.entity.typeBookParten
local.academicbookseriesSchriftenreihe der Gesellschaft für Film- und Fernsehwissenschaft (GFF)
local.coverpage2021-05-29T01:03:08
local.source.booktitleDer Körper im Bild. Schauspielen - Darstellen - Erscheinen
local.source.epage70
local.source.spage61
local.source.volume7
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