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Book part:
Shifts in the Photographic Paradigm through Digitality & the Aesthetics of Noise

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dc.contributor.editorGrau, Oliver
dc.contributor.editorHoth, Janina
dc.contributor.editorWandl-Vogt, Eveline
dc.creatorLegrady, George
dc.date.accessioned2020-02-17T10:50:55Z
dc.date.available2020-02-17T10:50:55Z
dc.date.issued2019
dc.description.abstractThis paper traces the author’s early digital media projects fromthemid-1980s to the present that are based on computerprocessing andthe integration of noise as an aesthetic elementin the author’s evolv-ing digital photographic projects. Buildingon his background in photography, the projects explore therelationship of noise-to-signaland the influence of Claude Shannon’sInformation theory in theauthor’s work.en
dc.identifier.doi10.25969/mediarep/13341
dc.identifier.urihttps://mediarep.org/handle/doc/14263
dc.languageeng
dc.publisherEdition Donau-Universität
dc.publisher.placeKrems a.d. Donau
dc.relation.isPartOfisbn:978-3-903150-52-2
dc.relation.isPartOfdoi:https://doi.org/10.25969/mediarep/13360
dc.rightsCreative Commons Attribution 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/4.0
dc.subjectDigitale Kunstde
dc.subjectFotografiede
dc.subjectcomputer processingen
dc.subjectnoiseen
dc.subjectaestheticsen
dc.subjectdigital photographyen
dc.subjectinformation theoryen
dc.subject.ddcddc:770
dc.titleShifts in the Photographic Paradigm through Digitality & the Aesthetics of Noiseen
dc.typebookPart
dc.type.statuspublishedVersion
dspace.entity.typeBookParten
local.coverpage2021-05-29T01:08:55
local.source.booktitleDigital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities
local.source.epage60
local.source.spage49

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