Book part: Ride into the Danger Zone: TOP GUN (1986) and the Emergence of the Post-Cinematic
dc.contributor.editor | Denson, Shane | |
dc.contributor.editor | Leyda, Julia | |
dc.creator | Siegel, Michael Loren | |
dc.date.accessioned | 2020-02-18T15:55:37Z | |
dc.date.available | 2020-02-18T15:55:37Z | |
dc.date.issued | 2016 | |
dc.identifier.doi | 10.25969/mediarep/13473 | |
dc.identifier.uri | https://mediarep.org/handle/doc/14395 | |
dc.language | eng | |
dc.publisher | REFRAME Books | |
dc.publisher.place | Falmer | |
dc.relation.isPartOf | isbn:9780993199639 | |
dc.relation.isPartOf | doi:http://dx.doi.org/10.25969/mediarep/13457 | |
dc.rights | Creative Commons Attribution Non Commercial No Derivatives 4.0 Generic | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
dc.subject | Digitales Kino | de |
dc.subject | Post-Cinema | en |
dc.subject | film analysis | en |
dc.subject | film aesthetics | en |
dc.subject | experience | en |
dc.subject | queer reading | en |
dc.subject.ddc | ddc:791 | |
dc.subject.person | Tony Scott | |
dc.subject.work | TOP GUN | |
dc.title | Ride into the Danger Zone: TOP GUN (1986) and the Emergence of the Post-Cinematic | en |
dc.type | bookPart | |
dc.type.status | publishedVersion | |
dspace.entity.type | BookPart | en |
local.coverpage | 2021-05-29T01:05:44 | |
local.source.booktitle | Post-Cinema. Theorizing 21st-Century Film | |
local.source.epage | 699 | |
local.source.spage | 666 | |
local.subject.gnd | https://d-nb.info/gnd/119350025 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q110138 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q193648 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q20995205 |
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