Book part:
Post-Cinematic Atavism

dc.contributor.editorDenson, Shane
dc.contributor.editorLeyda, Julia
dc.creatorGrusin, Richard
dc.date.accessioned2020-02-18T15:55:37Z
dc.date.available2020-02-18T15:55:37Z
dc.date.issued2016
dc.identifier.doi10.25969/mediarep/13472
dc.identifier.urihttps://mediarep.org/handle/doc/14394
dc.languageeng
dc.publisherREFRAME Books
dc.publisher.placeFalmer
dc.relation.isPartOfisbn:9780993199639
dc.relation.isPartOfdoi:http://dx.doi.org/10.25969/mediarep/13457
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectDigitales Kinode
dc.subjectFilmgeschichtede
dc.subjectFilmtheoriede
dc.subjectfilm aestheticsen
dc.subjectmedia historyen
dc.subjectfilm historyen
dc.subjectsilent cinemaen
dc.subjectremediationen
dc.subjectPost-Cinemaen
dc.subject.ddcddc:791
dc.subject.personMichel Hazanavicius
dc.subject.personMartin Scorsese
dc.subject.personLars von Trier
dc.subject.personGeorges Méliès
dc.subject.personEdwin S. Porter
dc.subject.personSteven Spielberg
dc.subject.workTHE ARTIST
dc.subject.workHUGO
dc.subject.workMELANCHOLIA
dc.subject.workDIE REISE ZUM MOND
dc.subject.workL’ARRIVÉE D’UN TRAIN EN GARE DE LA CIOTAT
dc.subject.workTHE GREAT TRAIN ROBBERY
dc.subject.workE.T. THE EXTRA-TERRESTRIAL
dc.subject.workHUGO CABRET
dc.titlePost-Cinematic Atavismen
dc.typebookPart
dc.type.statuspublishedVersion
dspace.entity.typeBookParten
local.coverpage2021-05-29T01:02:10
local.source.booktitlePost-Cinema. Theorizing 21st-Century Film
local.source.epage665
local.source.spage646
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