Book part: Der Subtext des Trivialen als Potenz der Poesie – Joseph Cornells ROSE HOBART und die klassische Kinoerzählung
dc.contributor.editor | Müller, Corinna | |
dc.contributor.editor | Scheidgen, Irina | |
dc.creator | Schmitz, Norbert M. | |
dc.date.accessioned | 2020-08-14T14:33:03Z | |
dc.date.available | 2020-08-14T14:33:03Z | |
dc.date.issued | 2007 | |
dc.identifier.doi | 10.25969/mediarep/14292 | |
dc.identifier.isbn | isbn:978-3-89472-533-4 | |
dc.identifier.uri | https://mediarep.org/handle/doc/15260 | |
dc.language | deu | |
dc.publisher | Schüren | |
dc.publisher.place | Marburg | |
dc.relation.isPartOf | doi:https://doi.org/10.25969/mediarep/14196 | |
dc.rights | In Copyright | en |
dc.rights.uri | https://rightsstatements.org/vocab/InC/1.0/ | |
dc.subject | Narrativität | |
dc.subject | Avantgarde | |
dc.subject | Film | |
dc.subject | Experimentalfilm | |
dc.subject | Surrealismus | |
dc.subject.ddc | ddc:791 | |
dc.subject.person | Joseph Cornell | |
dc.subject.person | Rose Hobart | |
dc.subject.work | ROSE HOBART | |
dc.title | Der Subtext des Trivialen als Potenz der Poesie – Joseph Cornells ROSE HOBART und die klassische Kinoerzählung | de |
dc.type | bookPart | |
dc.type.status | publishedVersion | |
dspace.entity.type | BookPart | en |
local.academicbookseries | Schriftenreihe der Gesellschaft für Medienwissenschaft (GfM) | |
local.coverpage | 2021-05-29T01:02:20 | |
local.source.booktitle | Mediale Ordnungen. Erzählen, Archivieren, Beschreiben | |
local.source.epage | 241 | |
local.source.spage | 220 | |
local.source.volume | 15 | |
local.subject.gnd | https://d-nb.info/gnd/118522221 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q694774 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q2563239 | |
local.subject.wikidata | https://www.wikidata.org/wiki/Q451801 | |
relation.isAuthorOfBookPart | c9876339-b1da-471f-b124-c815baff51be | |
relation.isAuthorOfBookPart.latestForDiscovery | c9876339-b1da-471f-b124-c815baff51be |
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