Book part:
Algorithmic Signs, Venice 2017: Tracing the history of computer art

dc.contributor.editorGrau, Oliver
dc.contributor.editorHoth, Janina
dc.contributor.editorWandl-Vogt, Eveline
dc.creatorFranco, Francesca
dc.date.accessioned2020-02-17T10:49:46Z
dc.date.available2020-02-17T10:49:46Z
dc.date.issued2019
dc.description.abstractThis paper examines Algorithmic Signs, an exhibition exploring the histo-ry of pioneering computational art conceived, researched and curated by the author in collaboration with the Fondazione Bevilacqua La Masa (Venice, Italy, October 2017). The author presents the historical context and main concepts that led to the creation of this exhibition. In addition to this, the author demonstrates how Algorithmic Signs provided new in-terpretations of the history of computer art.en
dc.identifier.doi10.25969/mediarep/13188
dc.identifier.urihttps://mediarep.org/handle/doc/14110
dc.languageeng
dc.publisherEdition Donau-Universität
dc.publisher.placeKrems a.d. Donau
dc.relation.isPartOfisbn:978-3-903150-52-2
dc.relation.isPartOfdoi:https://doi.org/10.25969/mediarep/13360
dc.rightsCreative Commons Attribution 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by/4.0
dc.subjectAusstellungde
dc.subjectcomputer art pioneersen
dc.subjectexhibitionsen
dc.subjectalgorithmic arten
dc.subjectgenerative arten
dc.subjectinteractive arten
dc.subject.ddcddc:770
dc.titleAlgorithmic Signs, Venice 2017: Tracing the history of computer arten
dc.typebookPart
dc.type.statuspublishedVersion
dspace.entity.typeBookParten
local.coverpage2021-05-29T01:05:15
local.source.booktitleDigital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities
local.source.epage270
local.source.spage261

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