Book part:
Modelle der Traditionsbildung in KILL BILL: Verrat, Mord, Rache

dc.contributor.editorGeisenhanslüke, Achim
dc.contributor.editorSteltz, Christian
dc.creatorKohns, Oliver
dc.date.accessioned2018-09-24T13:25:19Z
dc.date.available2018-09-24T13:25:19Z
dc.date.issued2006
dc.identifier.doi10.25969/mediarep/884
dc.identifier.isbnisbn:978-3-8394-0437-9
dc.identifier.urihttps://mediarep.org/handle/doc/2014
dc.languagedeu
dc.publishertranscript
dc.publisher.placeBielefeld
dc.relation.isPartOfisbn:978-3-8394-0437-9
dc.relation.isPartOfdoi:http://dx.doi.org/10.25969/mediarep/2863
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 3.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0
dc.subjectFriedrich Nietzschede
dc.subjectPhilosophiede
dc.subjectQuentin Tarantinode
dc.subjectKILL BILLde
dc.subject.ddcddc:791
dc.titleModelle der Traditionsbildung in KILL BILL: Verrat, Mord, Rachede
dc.typebookPart
dc.type.statuspublishedVersion
dcterms.bibliographicCitationKohns, Oliver (2006): Modelle der Traditionsbildung in KILL BILL: Verrat, Mord, Rache. In: Achim Geisenhanslüke und Christian Steltz (Hg.): Unfinished Business. Quentin Tarantinos »Kill Bill« und die offenen Rechnungen der Kulturwissenschaften. Bielefeld: transcript (Film), 159-172. DOI: http://dx.doi.org/10.25969/mediarep/884.
dspace.entity.typeBookParten
local.coverpage2021-01-15T01:01:21
local.source.booktitleUnfinished Business. Quentin Tarantinos »Kill Bill« und die offenen Rechnungen der Kulturwissenschaften
local.source.epage172
local.source.spage159
local.subject.gndhttps://d-nb.info/gnd/119290685
local.subject.gndhttps://d-nb.info/gnd/118587943
local.subject.wikidatahttps://www.wikidata.org/wiki/Q3772
local.subject.wikidatahttps://www.wikidata.org/wiki/Q9358
local.subject.wikidatahttps://www.wikidata.org/wiki/Q223132

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