Book part:
Converging Media and Modes: Digital Textuality and the Dissolution of Media Borders in Steven Hall’s THE RAW SHARK TEXTS

Simple item page
dc.contributor.editorGeorgi, Claudia
dc.contributor.editorGlaser, Brigitte Johanna
dc.creatorFan, Lai-Tze
dc.date.accessioned2019-09-06T12:34:06Z
dc.date.available2019-09-06T12:34:06Z
dc.date.issued2015
dc.identifier.doi10.25969/mediarep/12021
dc.identifier.urihttps://mediarep.org/handle/doc/12930
dc.languageeng
dc.publisherUniversitätsverlag Göttingen
dc.publisher.placeGöttingen
dc.relation.isPartOfdoi:http://dx.doi.org/10.17875/gup2015-840
dc.relation.isPartOfisbn:978-3-86395-217-4
dc.rightsCreative Commons Attribution Non Commercial 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0
dc.subjectmultimodalityen
dc.subjectinteractivityen
dc.subjectdigital mediaen
dc.subjectMultimodalitätde
dc.subjectInteraktivitätde
dc.subjectDigitale Mediende
dc.subject.ddcddc:791
dc.subject.personSteven Hall
dc.subject.workTHE RAW SHARK TEXTS
dc.titleConverging Media and Modes: Digital Textuality and the Dissolution of Media Borders in Steven Hall’s THE RAW SHARK TEXTSen
dc.typebookPart
dc.type.statuspublishedVersion
dcterms.bibliographicCitationLai-Tze Fan: Converging Media and Modes: Digital Textuality and the Dissolution of Media Borders in Steven Hall’s THE RAW SHARK TEXTS. In: Claudia Georgi und Brigitte Johanna Glaser (Hg.): Convergence Culture Reconsidered. Media – Participation – Environments. Göttingen: Universitätsverlag Göttingen (2015) (Göttinger Schriften zur Englischen Philologie 9), S. 209–220. DOI: http://dx.doi.org/10.25969/mediarep/12021.
dspace.entity.typeBookParten
local.coverpage2021-05-29T01:22:24
local.source.booktitleConvergence Culture Reconsidered. Media – Participation – Environments
local.source.epage220
local.source.spage209
local.subject.gndhttps://d-nb.info/gnd/132702436
local.subject.wikidatahttps://www.wikidata.org/wiki/Q2291294
local.subject.wikidatahttps://www.wikidata.org/wiki/Q2977684

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